3,456 Royalty-Free Audio Tracks for "In Action"

Excerpt from a radio broadcast featuring Gus Arnheim & His Orchestra with vocals by Harry Barris and "three Ambassadors."

Save A Little Dram For Me song from United States prohibition era. MEDIUM: 1 sound disc : analog, 80 rpm ; 10 in. CREATED/PUBLISHED Orange, N.J.: Edison. Lyrics: (spoken) In the middle of the sermon, Parson Johnson rose and started sniffing the air. There was a peculiar smell tricklin’ up the parson’s nose. That told him that gin was ‘round somewhere. And he closed his Bible gently in the middle of the psalm and started figurin’ mentally where that smell was coming from. His eyes scanned every pew, and then he did declare, he says “I announce this meetin’ through… (sung) …until you kick in with my share.” Oh Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) From this here smell it’s very plain to see That somebody here’s been holding out on me. (sung) For Bretheren if you want more preachin’ Save a little dram for me. (spoken) Now when they passed the bone dry law, I was the very first to say that it never would stay And neither did I think the law could regulate our thirst. That’s why I’ve got some stored away. Now since prohibition’s got us drinks is few and far between. Of all the stingy brothers you’re the worst I’ve ever seen. But I insist on my share. Don’t say it’s all run out Or else you’re going where-- You know that bad place I been preachin’ ‘bout? (sung) For Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) I’ve shared your joy and I’ve shared your sin And believe me brothers I’m gwine to share your gin. (sung) For Bretheren if you want more preachin’ Save a little dram for me. Українська: «Збережи для мене трохи драм», пісня з епохи сухого закону США, випущена в 1922 році.

An Audiosample from the Sea organ in Zadar, CroatiaEin Audiosample der Meeresorgal in Zadar, Kroatien

Sansoen Phra Barami (male and female choir) B.E. 2445 ไทย: เพลงสรรเสริญพระบารมี พ.ศ. ๒๔๔๕ (ชายหญิงร้องร่วมกัน)

Diatonic scale on C, staccatissimo articulation.

Commercial disc from Columbia Italiana - Sample disc

Поёт Варя Панина

The Japanese anthem en:Kimigayo being performed in 1930. The author is unknown and the source of the record is my personal collection. The record plate is number K1-A from Polyfar Recording. (Note, some editing has been done by the uploader to reduce noise, crackling and to fix the bitrate of the recording).

Samba by Almirante (Singer). 1929.

Bees Wax Rag by Harry J. Lincoln.

D Eb C B = D S C H = Dmitri Schostakovich.

Diatonic scale on C, staccato articulation.

Diatonic scale on C, legato articulation.

Slendro vs whole tone scale on C

MIDI of "Ut Queant Laxis", an 8th century hymn best known for being the basis for Ut-Re-Mi-Fa-Sol-La, later modified to the familiar Do-Re-Mi-Fa-Sol-La-Ti. Each line begins with a note that moves up the scale from Do to La (Ti not being used in music of that period).

Diatonic scale on C, tenuto articulation.

Sansoen Phra Barami (Student Lyric 1902) by Mr. John ไทย: เพลงสรรเสริญพระบารมี พ.ศ. ๒๔๔๕ (ชายหญิงร้องร่วมกัน) ขับร้องโดย นายจอห์น

Samba "Primeira Linha". Benedito Lacerda e grupo Gente do Morro. 1930.

German hunting signal Fox is dead Deutsches Jagdsignal Fuchs tot

James Scott's "Grace and Beauty" (1909), created on a synthesized piano by Adam Cuerden from a score at s:Grace and Beauty.

The International. Lansbury's Labour Weekly released a series of gramaphone records of left-wing songs and speeches from 1926. This is a recording of one of those records. L'Internationale. Lansbury's Labor Weekly a publié une série de disques de chansons et de discours de gauche de 1926. Voici un enregistrement de l'un de ces disques. «Интернационал». «Lansbury's Labour Weekly» выпустил серию грамзаписей песен и выступлений левых в 1926 году. Это запись одной из таких пластинок. Українська: «Інтернаціонал». «Lansbury's Labour Weekly» випустив серію грамзаписів лівих пісень і промов 1926 року. Це запис однієї з таких платівок.

Over There a 1917 song written by George M. Cohan, sung in 1917 by Billy Murray Українська: «Over There» — пісня, написана Джорджем Коханом, яку вперше виконав Біллі Мюррей у 1917 році.

Sonata in B-flat major, Deutsch Catalogue 960, 2nd movement.

The Japanese anthem Kimi ga yo being performed in 1930. The source of the record is my personal collection. The record plate is number K1-A from Polyfar Recording. Català: Kimi Ga Yo (君が代), l'himne nacional japonès, tocat el 1930 per la Banda Militar de l'Acadèmia Militar Toyama. Čeština: Kimi ga jo (君が代), státní hymna Japonska, na nahrávce z roku 1930. (君が代), die Japanische Nationalhymne gespielt 1930 von der Militärkapelle der Toyama Armeeschule. Kimigayo (君が代), the Japanese National Anthem, as performed in 1930 by the Toyama Army School Military Band. Kimi ga yo (君が代, El reino de nuestro emperador), el himno nacional de Japón, ejecutado por la banda de la academia militar "Toyama" (1930) Suomi: Kimi ga yo (jap. 君が代), Japanin kansallislaulu, esitys vuodelta 1930. Kimi ga yo (君が代), l’hymne national du Japon, interprété par l’orchestre de l’école militaire Toyama. Italiano: Kimi ga yo (君が代, Il regno del nostro imperatore), l'inno nazionale del Giappone, nell'esecuzione della banda dell'accademia militare "Toyama" (1930) 日本語: 日本の国歌『君が代』。1930年、陸軍戸山学校軍楽隊の演奏。 Македонски: Химната на Јапонија насловена како „Кимигајо“ (君が代) во изведба на оркестарот на воена академија во Тојама (1930 г.) Кими га ё (君が代), японский национальный гимн, исполненный в 1930 году Toyama Army School Military Band. Tiếng Việt: Kimi Ga Yo (君が代), Quốc ca Nhật Bản, do Đội nhạc Quân đội của trường Quân bị Toyama trình diễn năm 1930.

The first three, and final verses of Through the Years. Originally "Tyle Lat" and later translated into English. Written c. 1920 by Francis Hodur, and translated in 1921 by the Fourth Synod of the PNCC.

Tamo Daleko, April 1917. Columbia Phonograph Company. Audio restoration by Steven Kozobarich.

Sung by Carmen Miranda. Odeon disc 11442.

Sung by Carmen Miranda. Odeon disc 11540.

Pipe Organ and choir from First Presbyterian Church of Hartford City, Indiana. Original tape recording late 1960s.

The Bee's Knees performed by the Virginians, Victor 19000A

Piano rendition of bars 13–16 from Francisco Tárrega's composition for solo guitar "Gran vals" (1902) as used in Nokia's Nokia tune

Lydian augmented scale on C.

Dorian mode on D. Created by Hyacinth (talk) 09:54, 19 April 2011 (UTC) using Sibelius 5. See: :Image:D Dorian mode.png

John Stepan Zamecnik's 1913 composition Mysterioso - Burglar Music 1, which appeared in Sam Fox Moving Picture Music volume 1.

French: Le Roi Dagoberttitle QS:P1476,fr:"Le Roi Dagobert" label QS:Lfr,"Le Roi Dagobert" LilyPond source

Song from The Remains of Tom Lehrer

Pasquale Amato's April 16, 1914 Victor Records recording of the Te Deum from Giacomo Puccini's Tosca. Sung at the end of Act I, this scene in fact details the evil priest Scarpia's plans to corrupt and have his way with Tosca, while the chorus goes about seeking redemption. Victor 88489 Pasquale Amato (1878-1942), baritone; Metropolitan Opera Chorus Tosca - Te Deum Mat. C-14715-2 Rec. April 16, 1914 Digital Transfer produced by Tim Ecker for the Internet Archive.

Klaus song (Klausenmelodie). Klausjagen, Küssnacht, Switzerland.

Francesco Tamagno, the creator of the role, sings "Niun mi tema" (Morte d'Otello) from Giuseppe Verdi's Otello. Sung in 1903, Tamagno would die just two years later.

Marie Rappold (1873–1957) performing "O patria mia" from Verdi's Aida, with orchestra

Australian Christmas Carol 1915 by Arthur Chanter (1866-1950) and Tom Collins (1843-1912)

A song from The Remains of Tom Lehrer

I'm Forever Blowing Bubbles, performed by Ben Selvin and His Novelty Orchestra (recorded 31 July 1919)

A modified stereo recording of the Internationale in the Italian language, lyrics composed by E Pote & sung by soloist Coro Le Camice Rosse.

Diatonic scale on C, transposing clef.

In scale on D.

Diatonic scale on C, bass clef.

Istrian mode on C

Diatonic scale on C, guitar tablature clef.